格非，男，1964年8月生于江苏省丹徒县。1981年进入华东师范大学中文系汉语言文学专业，1985年留校，任中文系助教、讲师（1987）、副教授（1994）、教授（1998）。2000年获文学博士学位，并于同年调入清华大学中文系。 主要著作有《格非文集》、《欲望的旗帜》、《塞壬的歌声》等。有英、法、日、意大利等语种的单行本在国外出版。

Focusing on two late-Ming or early-Qing plays central to the Chinese canon, this thought-provoking study explores crucial questions concerning personal identity. How is a person, as opposed to a ghost or animal, to be defined? How can any specific person (as distinguished, for example, from an impostor or twin) be identified? Both plays are chuanqi, representatives of a monumen...(展开全部)

吕立亭（Tina Lu），耶鲁大学中国文学教授。1998年获得哈佛大学比较文学博士学位。主要从事明清文学研究。

In this volume, Hui Zou analyzes historical, architectural, visual, literary, and philosophical perspectives on the Western-styled garden that formed part of the great Yuanming Yuan complex in Beijing, constructed during the Qing dynasty. Designed and built in the late eighteenth century by Italian and French Jesuits, the garden described in this book was a wonderland of multis...(展开全部)

The Spring and Autumn is an annals text composed of brief records covering the period 722–479 BCE and written from the perspective of the ancient Chinese state of Lu. A long neglected part of the Chinese canon, it is traditionally ascribed to Confucius, who is said to have embedded his evaluations of events within the text. However, the formulaic and impersonal records do not r...(展开全部)

The Presence of Peach Spring radically breaks with conventional interpretations of Tao Qian’s “Record of Peach Blossom Spring” by connecting the tale to its stated geographical location in northern Hunan province (PRC) and focusing on the Daoist lore that surrounds it. Drawing on more than two decades of fieldwork, Mark Meulenbeld uncovers the presence of Peach Spring as a sacr...(展开全部)

The Chinese often use the expression du hua, “to read a painting,” in connection with their study and appreciation of such works. This volume closely “reads” thirty-six masterpieces of Chinese painting from the encyclopedic collection of The Metropolitan Museum of Art in order to reveal the major characteristics and themes of this rich pictorial tradition. The book examines mul...(展开全部)

The Chinese often use the expression du hua, “to read a painting,” in connection with their study and appreciation of such works. This volume closely “reads” thirty-six masterpieces of Chinese painting from the encyclopedic collection of The Metropolitan Museum of Art in order to reveal the major characteristics and themes of this rich pictorial tradition. The book examines mul...(展开全部)